Colour and Sequence in 1960s British Art
An Arts Council Collection Touring Exhibition
Longside Gallery, Yorkshire Sculpture Park: 1 April – 18 June 2017
Nottingham Lakeside Arts, University of Nottingham: 15 July – 24 September 2017
Mead Gallery, Warwick Arts Centre, University of Warwick: 5 October – 9 December 2017
Walker Art Gallery, National Museums Liverpool: 24 February – 3 June 2018
British art of the 1960s is noted for its bold, artificial colour, alluring surfaces and capricious shapes and forms, yet these exuberant qualities are often underpinned by a strong sense of order, founded on repetition, sequence and symmetry. Bringing together outstanding examples of painting and sculpture from the Arts Council Collection and other major UK collections, Kaleidoscope examines 1960s visual art through a fresh and surprising lens, bringing into view the relationship between colour and form, rationality and irrationality, order and waywardness.
As the first Arts Council Collection survey of 1960s British art in over twenty years, Kaleidoscope assumes a wide angle, looking across media and movements to find fresh correspondences. From this perspective, the mind-bending surfaces of Op Art, the flattened repetition of Pop, the mathematical order of Constructivism, and the sequential placement of brightly-coloured abstract units found in New Generation sculpture find a common language shaped by sequence and symmetry.
Kaleidoscope represents the work of over twenty artists including: David Annesley, Anthony Caro, Robyn Denny, Tess Jaray, Phillip King, Kim Lim, Mary Martin, Eduardo Paolozzi, Bridget Riley, Tim Scott, Richard Smith, William Tucker and William Turnbull. The exhibition will be accompanied by a fully-illustrated publication featuring a new essay by Sam Cornish, the co-curator of the exhibition.
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Image credit: Top: Tim Scott, Quinquereme (1966). Arts Council Collection, Southbank Centre, London © the artist. Bottom: William Tucker Thebes (1966). Arts Council Collection, Southbank Centre, London © the artist.