Hilary Lloyd has gained significant recognition for short films featuring urban young people engaged in mundane everyday activity. Summer, 2008 saw the presentation of her influential 'video sculpture', Colin #2, 1999. The work features two monitors back-to-back: one shows a young man taking his vest off with a balletic, concentrated slowness; the other documents the same process in reverse. Shot in real time using a static camera, the film captures the intense concentration of both the protagonist and the artist, while touching on issues of voyeurism, fetishism and the value of time.